New Headquarters of the Foreign Press Association at Palazzo Grazioli, Rome | Serena Mignatti
Rome / Italy / 2024
“Rather than imposing a new architectural language onto a historically stratified building, I chose to work through subtraction—introducing clarity, flexibility, and lightness. The project’s innovation lies in its ability to transform complexity into usability, where even transitional spaces, such as the main corridor, become active places of exchange, and reflective materials reinterpret the existing context without competing with it.”
— Serena Mignatti
***
Serena Mignatti is the architect behind the design and realization of the new headquarters of the Foreign Press Association at Palazzo Grazioli in Rome. Appointed by the Association’s Board through an open design competition involving several architectural practices, Mignatti, together with her team, chose— in agreement with the client— to develop a project in clear discontinuity with the building’s previous condition, characterized by a richly layered style and significant complexity. She oversaw all finishes and reorganized the interiors to accommodate their new functions, including furnishings—many of them custom-made, such as the bar and restaurant areas—along with the complete design of the two press rooms, one with 80 seats and a smaller one with 30.
“Following the brief set by the Foreign Press Association, we were faced with the need to refurbish a complex building such as Palazzo Grazioli, with a long and stratified history, featuring a 17th-century structure with later extensions and 19th-century alterations, particularly in its most recent phase when it served as a private residence,” explains Serena Mignatti. “I approached the project guided by the beauty of simplicity, seeking to reflect and engage in dialogue with what already existed. Rather than adhering to pre-existing logics, I chose a simple and functional language, prioritizing flexibility and the usability of spaces over the aesthetic weight of the context.”
This approach is also evident in a number of key details, such as the niches carved into the window reveals, which effectively create new spaces for reading and social interaction, or the large corridor reimagined as the “beating heart” of the Association rather than merely a passageway. The press rooms, restaurant, and workspaces were all developed in close collaboration with local artisans.
Responding to the Association’s needs, Serena Mignatti proposes a light, simple, and technologically driven architecture. The use of reflective materials—employed, for instance, in the bar—supports the decision not to contrast with the existing context through the insertion of new elements. Mirrors instead reflect the original setting, absorbing its tones and colors and returning a subtly altered yet respectful image.
Project data
Location/Building Site: Palazzo Grazioli, Rome , Italy
Completion Year: 2023-2024
INVITED DESIGN COMPETITION, WON IN 2023
CONSTRUCTION START: August 2023
INAUGURATION: March 19, 2024
Gross Built Area: 1400 MQ
PROGRAM
CONFERENCE ROOMS (80 and 30 seats): 220 sqm
RESTAURANT & BAR: 190 sqm
WORKSPACE – OFFICES & CO-WORKING: 670 sqm
OFFICE SUPPORT AREAS: 70 sqm
SPECIALIZED WORK AREAS (podcast room, photography room, editing & archives): 175 sqm
SERVICES: 60 sqm
Credits
Architecture Firm: SERENA MIGNATTI
CONSULTANTS
ACOUSTIC DESIGN: Ing. Andreas Hoischen
TECHNICAL PLATFORM STRUCTURE (80-SEAT CONFERENCE ROOM): Sarti Engineering
CONTRACTORS
TECHNICAL PLATFORM (80-SEAT CONFERENCE ROOM): Ineco S.r.l.
ACOUSTICS (80-SEAT ROOM): Logicity S.r.l. – Visual & Acoustic Comfort
JOINERY: Falegnameria Marco Colato
BAR & RAISED FLOOR CONSTRUCTION: Action Class Furniture
PLANT SUPPLY: Torsanlorenzo Società Agricola S.r.l.
Photography: DARIO BORRUTO
[IT]
NUOVA SEDE DELL’ASSOCIAZIONE STAMPA ESTERA A PALAZZO GRAZIOLI A ROMA
È l’architetto Serena Mignatti a firmare la progettazione e la realizzazione della nuova sede della stampa estera a Palazzo Grazioli a Roma. Selezionata dal Consiglio Direttivo dell’associazione tramite un concorso di progettazione aperto ad altri studi di architettura, Mignatti insieme al suo team e ha scelto, in accordo con l’Associazione, di sviluppare un progetto in discontinuità con ciò che c’era a Palazzo Grazioli, con il suo stile ricco e le importanti complessità. Si è occupata di tutte le finiture e di riorganizzare gli ambienti per il nuovo uso, come gli arredi, molti dei quali su misura come il bar, la zona ristorante, e la progettazione completa delle due sale stampa, quella da 80 posti e quella da 30.
“Seguendo le richieste dell’Associazione della Stampa Estera, avevamo la necessità di ristrutturare un fabbricato complesso come Palazzo Grazioli con una lunga storia alle spalle, con una struttura del Seicento con ampliamenti a modifiche risalenti all’Ottocento, in particolare nel periodo più recente quando alloggiava Silvio Berlusconi” spiega Serena Mignatti. “Ho pensato al progetto guidata dalla bellezza della semplicità, provando a riflettere e a dialogare con quello che già era presente. Ho preferito non seguire le logiche preesistenti scegliendo un linguaggio semplice e funzionale, optando più per la flessibilità e per la funzionalità degli spazi rispetto all’estetica del contesto”.
Un approccio che risulta evidente anche in alcuni dettagli come ad esempio le nicchie negli imbotti delle finestre che hanno, di fatto, guadagnato spazi per la lettura e per la socialità, oppure il grande corridoio sviluppato come “cuore pulsante dell’associazione” e non soltanto come luogo di passaggio. Ma anche le sale stampa, il ristorante e gli spazi di lavoro, tutti realizzati con la collaborazione di artigiani locali.
Rispettando le esigenze dell’Associazione, Serena Mignatti ha proposto un’architettura leggera, semplice e tecnologica. L’uso dello di materiali specchianti, usati ad esempio nel Bar, giustificano la scelta di non mettersi in contrasto con il contesto inserendo nuovi elementi. Lo specchio riflette il contesto originario assorbendone i toni i colori e rimandando un’immagine deformata ma rispettosa.
“Rather than imposing a new architectural language onto a historically stratified building, I chose to work through subtraction—introducing clarity, flexibility, and lightness. The project’s innovation lies in its ability to transform complexity into usability, where even transitional spaces, such as the main corridor, become active places of exchange, and reflective materials reinterpret the existing context without competing with it.” — Serena...
- Year 2024
- Work finished in 2024
- Client Foreign Press Association
- Status Completed works
- Type Interior design / Recovery/Restoration of Historic Buildings


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