Rebeca Perez
Interior designer Ibiza Town / Spain
105
1 14
ZOE
IBIZA / Spain / 2026
1 6
SARAH
ibiza / Spain / 2024
12
SA MIRADA
Spain / 2021
4 4
CAN BOOGIE
Ibiza / Spain / 2020
4 3
SITGES SEA VIEW
Spain / 2020
2 5
CBBC MARINA SANTA EULÀRIA
Spain / 2019
4
Agua de Florida
Spain / 2018
6
Kids bedroom. Gira Casadecor
Spain / 2017
7 3
Modulnova Raw Oak Kitchen
Ibiza Town / Spain / 2017
2
Can Mar
Ibiza Town / Spain / 2016
8
Can Pilot
Ibiza / Spain / 2016
1 1
Dalt Vila Aparment
Ibiza Town / Spain / 2016
11 3
La Belle Ibiza
Ibiza / Spain / 2015
3
Music On Flagship
Ibiza Town / Spain / 2014
11 4
Can Lluqui
Ibiza Town / Spain / 2013
For 14 years she worked as a set designer and stylist, where she had the
opportunity to learn how different scales are perceived from the observer’s point of view and
the magic that can be created through light.
From 2008 to 2018, she began working as lead interior designer
at Atlant del Vent, an architecture firm led by architect Jaime Serra. There she
refined her understanding of space
as applied to architecture and honed her technical skills.
In 2019, she founded Tabula Rasa Design Studio, where she continues her work as
an interior designer and product designer.
A year later, Espurna Handmade Lighting was born, the culmination of her
accumulated experiences and almost a vital need to reconnect with the manual
and the most basic materials.
Over the years, she has participated in various exhibitions, such as
Casadecor, where the space she designed for Gira, centred on
home automation and lighting, resulted in an immersive and ever-changing space.
She has given several lectures at the Complutense University of Madrid, and her work as an
interior designer has been featured in magazines such as Arquitectura y Diseño and Ad.
Her style is contemporary, with a particular focus on functionality and the interplay between materials.
She advocates the use of natural materials, those that age alongside the object itself, and the use of traditional resources and techniques.
This ensures that the architecture and interior design are better integrated into
our surroundings and our daily routines.
The design must respond to a functional and
specific brief agreed with the client, one that reflects their personality.
“It is not so much about defining my ‘style’ as a designer, but rather about adapting
these criteria and experience to our needs.
I do not like the ‘patchwork’ effect, which relies on a random or
whimsical mix of materials, colours and concepts; as a reference. Without order or
purpose.
The presence of a common thread is a spatial reference point where it is easy
to feel at ease and at home. That is where harmony lies. Everything must have
a guiding principle, like a special reference point where it is easy to feel at ease and
at home. Only what is superfluous becomes ugly over time.”
- Address c/carlos III n4-6piso, 07800 Ibiza Town | Spain
- Tel 971317331
Born in Ibiza. Interior designer and visual artist. For 14 years she worked as a set designer and stylist, where she had the opportunity to learn how different scales are perceived from the observer’s point of view and the magic that can be created through light. From 2008 to 2018, she began working as lead interior designer at Atlant del Vent, an architecture firm led by architect Jaime Serra. There she refined her understanding of space as applied to architecture and honed her technical skills. In 2019, she founded Tabula Rasa Design Studio, where she continues her work as an interior designer and product designer. A year later, Espurna Handmade Lighting was born, the culmination of her accumulated experiences and almost a vital need to reconnect with the manual and the most basic materials. Over the years, she has participated in various exhibitions, such as Casadecor, where the space she designed for Gira, centred on home automation and lighting, resulted in an immersive and ever-changing space. She has given several lectures at the Complutense University of Madrid, and her work as an interior designer has been featured in magazines such as Arquitectura y Diseño and Ad. Her style is contemporary, with a particular focus on functionality and the interplay between materials. She advocates the use of natural materials, those that age alongside the object itself, and the use of traditional resources and techniques. This ensures that the architecture and interior design are better integrated into our surroundings and our daily routines. The design must respond to a functional and specific brief agreed with the client, one that reflects their personality. “It is not so much about defining my ‘style’ as a designer, but rather about adapting these criteria and experience to our needs. I do not like the ‘patchwork’ effect, which relies on a random or whimsical mix of materials, colours and concepts; as a reference. Without order or purpose. The presence of a common thread is a spatial reference point where it is easy to feel at ease and at home. That is where harmony lies. Everything must have a guiding principle, like a special reference point where it is easy to feel at ease and at home. Only what is superfluous becomes ugly over time.”
- Architectural Design
- Architectural restoration, conservation
- Temporary architecture, installations
- Structural analysis of civil buildings
- Structural analysis of industrial buildings
- Designing bridges and viaducts
- Structural tests, inspections
- Urban design
- Landscape Architecture
- Spatial planning and environmental protection
- Environmental Impact Assessments
- Works management
- Construction site safety management
- Bill of quantities, accounting
- Furniture and Interior Design
- Interior lighting
- Industrial Design
- CAD and 3d modelling
- Graphics, computer art
- Architectural Modelling